A prime example of Houston's rather off-kilter approach to "folk art", the Beer Can House (222 Malone) is the culmination of 18 years of hard work, dedication, and drinking. The marriage of a working class sensibility and an unabashed passion for beer, this oddball sight was once nothing more than an admittedly unremarkable suburban home, housing a retired employee of the Southern Pacific railroad and his wife. But John Milkovisch's love for beer was all-consuming. He purportedly drank at least a six-pack a day, and his wife was even quoted saying that John "thought beer cured everything". This passion, combined with a reputed dislike for maintenance and yard work, ultimately led to the creation of this unique work of art. Beginning around 1968, shortly after his retirement, John began decorating his patio with marbles, buttons, and various pieces of brass and rock. He gradually began to extend his informal project, paving over the lawn and decorating the cement with more marbles and other shiny debris.
John had saved seemingly every beer can he had ever drank from, and as time passed, he began putting them to use as well. Supposedly out of a desire to avoid painting the house, John began flattening the beer cans and covering the entire outside of his house with them. His wife allowed it, with the stipulation that he not do the same to the interior. John continued working on his project with what seems to have been a single-minded determination. He made long flowing curtains of aluminum using the pull tabs, which make soft tinkling sounds when the wind blows through them, as well as streamers and mobiles with the tops and bottoms of the cans. More of the can tops and bottoms adorn the fences surrounding the house, and the eaves around the home seem to be perpetually dangling shiny aluminum pull-tab icicles.
Even the mailbox is decorated, and there are odd aluminum sculptures standing precariously on top of the fences and along the house. To add to the general sense of incredible detail, there is an impressive variety of beers represented, all carefully organized by brand within the patchwork construction of the project. John worked on the house for 18 years, until his death in 1988. The number of cans absorbed into the project number somewhere between 39,000 and 50,000. It is an absolutely astonishing piece of work, something John must have known even as he ridiculed the idea that his house could be considered "art". His widow, Mary, still lives there, and welcomes all who wish to come gawk in wonder at this amazing monument to one man's irrepressible love for beer.

[The house is located at 222 Malone St. From downtown, take Memorial west. After passing the Shepherd exit, look to your right near the gas stations along Memorial after the light at Detering. Take a right on Malone street, drive two blocks down, and the house will be on your right.]